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Showing posts with label Germany. Show all posts
Showing posts with label Germany. Show all posts

Sunday, March 14, 2010

"Love and Unity" Bahai Youth Germany

Projekt Leuchtfeuer präsentiert die Single "Love & Unity" aus dem Album "Harmonie" !


"Youth can move the world"


Throughout history, God has revealed Himself to humanity through a series of divine Messengers, whose teachings guide and educate us and provide the basis for the advancement of human society. These Messengers have included Abraham, Krishna, Zoroaster, Moses, Buddha, Jesus, and Muhammad. Their religions come from the same Source and are in essence successive chapters of one religion from God.

Dieses Lied ist stark inspiriert von den Lehren des Baha'i Glaubens.
Der Baha'i Glaube stellt eine Weltreligion dar, mit der Absicht alle Rassen und Menschen in einer universalen Sache, einem gemeinsamen Glauben zu vereinen. Die Baha'i sind die Anhänger Baha'u'llahs, von dem sie überzeugt sind, dass Er jene erhabene Persönlichkeit ist, dessen Lehren, uns alle - die ganze Menschheit- befähigen werden, eine neue Welt aufzubauen !
Die Quintessenz der Lehren des Glaubens ist die Einheit der Menschheit, für die sich die Baha'i heute weltweit angagieren.
www.bahai.de

"Die Erde ist nur ein Land, und alle Menschen sind seine Bürger" ---- Baha'u'llah

(An die Freunde die Heimkreise organisieren: Dieses Lied plus Video kann auch für Musical Firesides eingesetzt werden. Wir haben bei unseren Firesides damit, mehr als gute Erfahrungen gemacht !)

From user: MrOneYakuza

"This love" Dedicated to the Bahais in Iran


"This Love"
Chelsea-Lyne W/ Nabil & Karim

Dedicated to The Baha'is in Iran, especially the 7 Baha'is on trial, and their families.

Listen To It @ http://profile.myspace.com/index.cfm?...

Lyrics (Written By N. Moghaddam, C.Heins, K.Rushdy)

Nabil:
They can take my life away
But this love will never change
They can take my rights away
But I'll grow stronger everyday

Chelsea-Lyne:
Its my right to live a life that's free
My right to simply be a citizen
Who believes in world equality
We shouldn't have to hide
Or feel the need to cower
Our beliefs shape who we are
They give us inner power
With our heads held high we shall walk on
With utmost love in our hearts we remain strong
They ask the question, we refuse.
Because it is our right to choose

They can take my life away
But this love will never change
They can take my rights away
But i'll grow stronger everyday

Karim:
In the silence of this courtroom
I closed my eyes and saw the future
Around the time that we heard from the prosecutor
And your honour I think you've already made your choice
So to the jury, please excuse me if I rejoice
Cause it was years ago, back when I decided to save
A place inside my heart where Baha'u'llah's resided
And my family all around the world will watch and pray
So I am not alone. Will I surrender?
Not today.

They can take my life away
But this love will never change
They can take my rights away
But i'll grow stronger everyday

Its my right to an education,
My right to the living I'm making
And yet they keep taking away from me
My material possessions have be ruined and put to pieces
My spirit remains a whole, my attachment thus decreases
Still in this day though times have changed,
They haven't changed enough
The friends must hide, obey,
Pray to avoid themselves handcuffed
Battle's changed but sacrifice remains the same
This is my devotion that ignites my inner flame

They can take my life away
But this love will never change
They can take my rights away
But i'll grow stronger everyday


More info about the Bahai Faith:
www.bahai.org

Wednesday, February 17, 2010

Bahai Development Project in Germany

Peoples Theater
www.peoplestheater.de

http://news.bahai.org/sites/news.bahai.org/files/imagecache/bwns_imagewidget/sites/news.bahai.org/files/images/bwns_5574-0.jpg

An award-winning Baha'i-inspired theater project began a new season of performances this week aimed at preventing violence and promoting social skills among school students.

Earlier, representatives of People's Theater outlined the program to the mayor of Offenbach, Gerhard Grandke, who has been a strong supporter of the project.

As well as being well known and appreciated in this city, People's Theater has won favor this year at the highest levels of the federal government.

The German Minister for Family and Youth, Renate Schmidt, awarded two representatives of People's Theater, Curtis Volk and Erfan Enayati, a financial grant to assist the further development of the theater.

People's Theater was one of 25 winners selected from 560 entrants in a competition initiated by the Office of the Chancellor to select the projects with the most promise of benefiting society.

At a reception for award recipients in July 2004, the German Chancellor, Gerhard Schroeder said to the winners: "We need more people like you, people who know how to transfer their knowledge and talents into service for the community."

People's Theater was founded by Erfan Enayati, a Baha'i from Offenbach, who was inspired by "The Happy Hippo Show," a television program in Russia created by Shamil Fattakhov to help youth deal with moral and ethical situations in their everyday lives.

The Baha'i inspiration behind the People's Theater is seen not only in its selection of the social topics that are the themes of its performances, but also because in its guiding principles such as honesty and sincerity, and the decision-making process used on a daily basis by those involved in the project.

Called consultation, this method is used by Baha'is to dispassionately examine different points of view before coming to a consensus.

In addition, the Baha'i principles of the underlying unity of world religions and respect for all ethnic groups play a fundamental role in every show.

Presentations by the People's Theater combine the elements of a talk show with those of a theater. A twist is that its outcome is largely influenced by the audience. (See an article about "The Happy Hippo Show" http://www.onecountry.org/e103/e10304as.htm.)

Each show illustrates a conflict that exists in the school where the show is being performed.

The theater portion of the show portrays the problem to the audience. Then, in the talk show section that follows, the audience discusses constructive solutions to the problem through dialog, discussion, and role-play.

The moderator begins the show by explaining the rules. The actors then illustrate a conflict in a scene that focuses on such issues as violence, backbiting, and dishonesty.

The moderator stops the scene and asks the audience such questions as: "What just happened?", or "How do the actors feel?", or "What could be done to change the situation?"

After a discussion by audience members, the moderator chooses a student to replace one of the actors. The student is then encouraged to try to change the situation by using ideas from his or her peers.

The scene lasts up to about five minutes and then begins again. After several attempts by the audience, the scene is then repeated one last time by the initial actors who follow the advice of the audience. The moderator then sums up.

The first performance of People's Theater was at a primary school in 2001 with the support of the Mayor of Offenbach, Gerhard Grandke.

"I was convinced and excited about the prospects of this project and its underlying concept from the beginning so I gladly sponsored it," Mr. Grandke said.

The project also has the support of local government offices dealing with education, community integration and crime prevention, and it has received a warm reception in the public school system.

During the last two years the People's Theater has performed more than 700 shows in more than 40 schools. In the past school year, five youth dedicated their time to working in the theater as a social service, and now more youth have offered to follow them for a year of service.

Participation in the People's Theater is recognized as social and civil service, and as such, it may be substituted for the mandatory military service required in Germany. It is supported by a pedagogical association and has a board of trustees.

A principal at Gutenberg Primary School, one of the schools where People's Theater has performed, Heike Burger, said that working with People's Theater was an enjoyable experience.

"The program was praised by all participants; parents, teachers, and pupils," Ms. Burger said.

A teacher at the Adolf-Reichwein High School, Elke Kunkel, said that the children were inspired to think by the themes of the show and were motivated to search for positive solutions."

"The young actors and actresses have a special understanding of the language which speaks to the youth --they are able to get their attention and motivate them to work with the show," Ms. Kunkel said.

"The work with the young actors and actresses is a worthwhile investment in our pupils," she said.

A teacher at the Helen-Keller Primary School, Christina Kutzmann, said that working with People's Theater is very constructive for the pupils.

"They are able to work with abstract ideas, for example 'Conflicts from Boredom' or 'Dealing with Provocation' in a very creative fashion that realistically brings the problems (to the attention of) the children in an appealing manner."

Sunday, February 7, 2010

Mastering the Self by Shoghi Effendi

Conquering yourself

Inspiering, Conquer yourserlf, Conquer your Lower Nature
and master the self.
So that you are the one who decides where to go.


“Shoghi Effendi was a very remarkable young man, and of course
he just worshipped ‘Abdu’l-Bahá. And when ‘Abdu’l-Bahá passed
away, the whole world became dark for him. All light had gone
out. When he returned to the Holy Land, he had in mind, from the
things which ‘Abdu’l-Bahá had said to him—and I am now telling
you what he said—he said ‘I had in mind that ‘Abdu’l-Bahá would
give me the honor of . . . calling together the great conclave which
would elect the Universal House of Justice. And I thought in His
Will and Testament that that was probably what He was instructing
be done.’
“‘But,’ he said, ‘instead of that I found that I was appointed the
Guardian of the Cause of God. . . . I didn’t want to be the Guardian
of the Cause. [In the] first place, I didn’t think that I was worthy.
Next place, I didn’t want to face these responsibilities. . . . I didn’t
want to be the Guardian. I knew what it meant. I knew that my life
as a human being was over.’ He said ‘I didn’t want it and I didn’t
want to face it.’
“‘So . . . remember I left the Holy Land, and I went up into the
mountains of Switzerland, and I fought with myself until I conquered
myself. Then I came back and I turned myself over to God
and I was the Guardian.’ ‘Now,’ he said, ‘every Bahá’í in the
world, every person in the world has to do exactly that same thing.
Whether you are a Hand of the Cause, whether you are a Knight of
Bahá’u’lláh, whether you are a member of a National Assembly,
whether you are a teacher, whether you are a pioneer, whether you
are an administrator, regardless of what you are, whatever you are
doing in the Cause, every Bahá’í must fight with himself and conquer
himself. And when he has conquered himself, then he becomes a
true instrument for the service of the Cause of God—and not until
that. And he will not achieve as great a success until he has done it.
And this is what every Bahá’í in the world should know.’
“And this is one of the main things I want you to get out of this
talk tonight and bear out of this talk: the Guardian’s instructions
that every individual must fight with himself, must conquer himself,
must overcome his lower nature, must overcome himself, and turn
himself over to God so that the Holy Spirit can function through
you. And when the Holy Spirit functions through you then you will
gain victory after victory. Because the Holy Spirit is the creative
aspect of God and it cannot do other than win victories and make
successes for the Cause.”
—from a talk given by Hand of the Cause of God Leroy Ioas, In the Days of the Guardian